50 Cent: Before I Self Destruct (8.5)

From the intro, 50 Cent sets the stage for a darker and more ominous album. He waxes nostalgic on “Then Days Went By,” reminiscing on his pre-rap days, (Keep f**king with me you gon’ turn me back to Boo-Boo/have me casing out your crib/tryin’ to pop your f**king noodle). But it’s on one of the strongest tracks on the album, “Death to My
Enemies”, produced by Dr. Dre and Mark Batson, where he comes closest to the aggressive and creative threatening that made him a superstar, (I’m like Damien n***a/when I start getting loose on you/closest thing to Lucifier/make you think you got a noose on you/I make it hard to breathe/I come where you hustle, air it out/make it hard to eat.)

With only three guest appearances on the album, Neyo, Eminem, and R. Kelly on “Could’ve Been You”, 50 puts himself and his skill in the foreground. Songs like “Crime Wave”, “Get It Hot”, and “Ok, You’re Right” are classic 50 Cent. He rides the tracks with the lyrical dexterity of a gymnast. Like most G-Unit affiliated albums, many of the producers on the album are lesser-known, making their work more important than their discographies. Dr. Dre has three tracks on BISD, Havoc, Rockwilder and Polow da Don each have one on the 16 track album, but skills on the boards and compatibility play a major role.

Not a perfect album, Before I Self Destruct, lags a bit in spots, but makes up for it in sheer effort, the album is a great offering from 50 Cent sure to quiet his naysayers… for now. Sorry, haters, but there will be no destruction here, unless it’s the enemies of Curtis Jackson.